"Crypt" - Liner Notes - November 1, 2000
"The original call and response line between the bass and the electric twelve-string found in the beginning of this tune was scratched out on a c***tail napkin at a Chevy's in San José in October of 1998. Perhaps because this is one of the more important pieces in the game as a whole -- it is the first underground fighting locale if the player decides to explore beneath Bloodraven's graveyard -- it was edited to death. Many four-bar sections were scrapped and new sections added before I was finally happy with this one, with the original "rock-out" beat which comes in at 1:30 being cut to roughly a third of the original size.
As much fun as it is to play metal guitar solos, they can be less exciting to listen to repeatedly. Deep in the mix alongside the rainsticks and cymbal scrapes, you may notice the choral phrase "Miserere". Though I wanted to use more of the phrase clips from Spectrasonics' excellent "Symphony of Voices", this was the only one which seemed to have the proper diabolic ambience. I suppose the misery of souls in eternal anguish just has a more appropriate ring to it than the grateful praise of the saved."
- Matt Uelmen
"The original call and response line between the bass and the electric twelve-string found in the beginning of this tune was scratched out on a c***tail napkin at a Chevy's in San José in October of 1998. Perhaps because this is one of the more important pieces in the game as a whole -- it is the first underground fighting locale if the player decides to explore beneath Bloodraven's graveyard -- it was edited to death. Many four-bar sections were scrapped and new sections added before I was finally happy with this one, with the original "rock-out" beat which comes in at 1:30 being cut to roughly a third of the original size.
As much fun as it is to play metal guitar solos, they can be less exciting to listen to repeatedly. Deep in the mix alongside the rainsticks and cymbal scrapes, you may notice the choral phrase "Miserere". Though I wanted to use more of the phrase clips from Spectrasonics' excellent "Symphony of Voices", this was the only one which seemed to have the proper diabolic ambience. I suppose the misery of souls in eternal anguish just has a more appropriate ring to it than the grateful praise of the saved."
- Matt Uelmen