Candy Airlines welcomes you aboard the flight,
F - U - N
To, Nirvana.
The gangway gives me shelter,
The merchant and the rain,
I shuffle for my ticket,
To show it once again,
Overhead the lockers,
Are full up to the brim,
Of shiny souvenirs,
Duty-free and film,
Locate row 37,
Reserved a window seat,
In it an imposter,
Tidied up and neat,
Too tired to confront her,
I sit next to the
Aisle.
I recognize my neighbour,
I've seen her on the screen,
I read the open movies,
And frivolous magazines,
Find myself,
Find myself,
Against everything you stand for, now I'm sitting by your side.
The Safety regulations,
Are rigorously explained,
The exits have been pointed,
The buckle-belts are strained,
Upward lifts the Eagle,
Silver towards the sun,
The in-flight entertainment,
Is suddenly switched on,
I glance at the reporter,
Who reasoning's alone.
I settle for my journey,
Perched upon my throne,
To my left the actress,
Whose work just makes me groan.
The pilot gave a signal,
The stewardesses talk,
Of other stewardesses,
Of distant foreign ports,
They glance to one another,
And continued on their walk.
The meal was served in plastic,
Containers wrapped in foil,
A special pack contains salt,
Vinegar and oil,
To add to my discomfort,
Lightning hits the deck.
Down the aisle they venture,
Pouring cups of tea,
Two gentlemen of business,
And ladies of the scene,
They crave for the interior,
As lightning strikes again.
The Aeroplane subsides some,
Then rattles like a snake,
The baby behind screams out,
The perfume Charlie escapes,
Into a piñata, the feller of its place.
Enter the confusion,
A solitary man,
Holds a ball of Semtex,
Disguised as a ticking beer can,
Fear strikes the galley,
Panic b***ons ring.
The hijacker brings a menace,
The steward brings him a tray,
He writes into a notebook,
Demands that he must gain,
If anyone should care to,
See their families again.
On the tray he places,
The notebook,
And the ticking
Can.
The steward brings the message,
Outside the tempers brawl,
He rocks from chair to chair,
Till he reaches the cabin door,
He knocks on it discreetly,
Inside they welcome him.
The captain hands his radio,
He contacts his HQ,
Listing the demands out,
While cosseting his crew,
Under no illusion,
He furrows his brow too.
Find myself,
Find myself,
Against everything you stood for,
Now I'm sitting by your side.
You rile a US Marshall,
He sits in his plain clothes,
He poses as civilian,
Ready for the fall,
Rises to the occasion,
As the drama still unfolds,
He aims at the highjacker,
Stuns him with his gun,
Find myself,
Find myself,
Find myself,
Find myself,
Against everything you stood for,
Now I'm sitting by your side.
At this point I declare my,
Field of expertise,
I whisper to the hostess,
To get me all the things I need,
For I'm a bomb disposal expert,
In your hour of need.
The pinchers and the tweezers,
Require steady hands,
I wrestle with the wires,
The bomb keeps ticking on,
The actress holds a tin can,
So right on her arm.
Find myself,
Find myself,
Against everything you stood for,
Now I'm sitting by your side.
Finally I unlock it,
The wire coloured red,
The one that I must cut to,
To put this piece to bed,
And now this strange dilemma,
Enters my weary head.
The golden opportunity,
To dispose of a TV
personality,
Has given me this moment,
An unexpected poison chalice,
I ponder for a moment,
Exactly where I'll miss.
Do I explode with the actress -
or reach out with a kiss?
Find myself,
Find myself,
Now we're in this s*** together,
Let's let each other live.
The land to our heroes welcome,
Let the press conference begin.
So to recap,
Point 1:
Some man, with issues, tried to blow up the plane I am travelling on.
Point 2:
A love interest in the form of the actress who is sat next to me.
Point 3:
I am a bomb disposal expert, that is my vocation, and I saved everybody's life, on the plane!
Now in a nutshell, this is how the scenario pans out:
The pilot, safely - heroically, some would say - lands the plane. It's surrounded by fire engines, police, media, cameras, ambulances, etcetera, and we are ushered to a big-shift press centre where we are tended with blankets and plastic cups of hot coffee. Then myself, the pilot, and the actress are ushered into a hastily arranged press-conference. After this near death experience, and intense media spotlight, myself and the mediocre actress get pretty close, and the initial night of passion results in a love-child, so, fly. We sold the best photos of the child, for an abusive 1 million dollar fee, to "Howdy!" magazine. And we live, unhappily, ever after. Well that's it from me, thank you for listening, and please, fly home safely. And by the way, should you ever, b**p into me in the street, my name is:
SKYLON!
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Hour,
Hour,
Week by week,
Look into the mirror before getting on with me,
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Skylon,
Skylon,
Way up high,
Skylon Skylon,
Waay, up, hiiiiiiiiiiiigh.
*I'm sorry for any errors in this, I know some parts are wrong, especially one or two places in the press conference, where I couldn't hear it too well. If you are able to, please feel free to correct any mistakes.
F - U - N
To, Nirvana.
The gangway gives me shelter,
The merchant and the rain,
I shuffle for my ticket,
To show it once again,
Overhead the lockers,
Are full up to the brim,
Of shiny souvenirs,
Duty-free and film,
Locate row 37,
Reserved a window seat,
In it an imposter,
Tidied up and neat,
Too tired to confront her,
I sit next to the
Aisle.
I recognize my neighbour,
I've seen her on the screen,
I read the open movies,
And frivolous magazines,
Find myself,
Find myself,
Against everything you stand for, now I'm sitting by your side.
The Safety regulations,
Are rigorously explained,
The exits have been pointed,
The buckle-belts are strained,
Upward lifts the Eagle,
Silver towards the sun,
The in-flight entertainment,
Is suddenly switched on,
I glance at the reporter,
Who reasoning's alone.
I settle for my journey,
Perched upon my throne,
To my left the actress,
Whose work just makes me groan.
The pilot gave a signal,
The stewardesses talk,
Of other stewardesses,
Of distant foreign ports,
They glance to one another,
And continued on their walk.
The meal was served in plastic,
Containers wrapped in foil,
A special pack contains salt,
Vinegar and oil,
To add to my discomfort,
Lightning hits the deck.
Down the aisle they venture,
Pouring cups of tea,
Two gentlemen of business,
And ladies of the scene,
They crave for the interior,
As lightning strikes again.
The Aeroplane subsides some,
Then rattles like a snake,
The baby behind screams out,
The perfume Charlie escapes,
Into a piñata, the feller of its place.
Enter the confusion,
A solitary man,
Holds a ball of Semtex,
Disguised as a ticking beer can,
Fear strikes the galley,
Panic b***ons ring.
The hijacker brings a menace,
The steward brings him a tray,
He writes into a notebook,
Demands that he must gain,
If anyone should care to,
See their families again.
On the tray he places,
The notebook,
And the ticking
Can.
The steward brings the message,
Outside the tempers brawl,
He rocks from chair to chair,
Till he reaches the cabin door,
He knocks on it discreetly,
Inside they welcome him.
The captain hands his radio,
He contacts his HQ,
Listing the demands out,
While cosseting his crew,
Under no illusion,
He furrows his brow too.
Find myself,
Find myself,
Against everything you stood for,
Now I'm sitting by your side.
You rile a US Marshall,
He sits in his plain clothes,
He poses as civilian,
Ready for the fall,
Rises to the occasion,
As the drama still unfolds,
He aims at the highjacker,
Stuns him with his gun,
Find myself,
Find myself,
Find myself,
Find myself,
Against everything you stood for,
Now I'm sitting by your side.
At this point I declare my,
Field of expertise,
I whisper to the hostess,
To get me all the things I need,
For I'm a bomb disposal expert,
In your hour of need.
The pinchers and the tweezers,
Require steady hands,
I wrestle with the wires,
The bomb keeps ticking on,
The actress holds a tin can,
So right on her arm.
Find myself,
Find myself,
Against everything you stood for,
Now I'm sitting by your side.
Finally I unlock it,
The wire coloured red,
The one that I must cut to,
To put this piece to bed,
And now this strange dilemma,
Enters my weary head.
The golden opportunity,
To dispose of a TV
personality,
Has given me this moment,
An unexpected poison chalice,
I ponder for a moment,
Exactly where I'll miss.
Do I explode with the actress -
or reach out with a kiss?
Find myself,
Find myself,
Now we're in this s*** together,
Let's let each other live.
The land to our heroes welcome,
Let the press conference begin.
So to recap,
Point 1:
Some man, with issues, tried to blow up the plane I am travelling on.
Point 2:
A love interest in the form of the actress who is sat next to me.
Point 3:
I am a bomb disposal expert, that is my vocation, and I saved everybody's life, on the plane!
Now in a nutshell, this is how the scenario pans out:
The pilot, safely - heroically, some would say - lands the plane. It's surrounded by fire engines, police, media, cameras, ambulances, etcetera, and we are ushered to a big-shift press centre where we are tended with blankets and plastic cups of hot coffee. Then myself, the pilot, and the actress are ushered into a hastily arranged press-conference. After this near death experience, and intense media spotlight, myself and the mediocre actress get pretty close, and the initial night of passion results in a love-child, so, fly. We sold the best photos of the child, for an abusive 1 million dollar fee, to "Howdy!" magazine. And we live, unhappily, ever after. Well that's it from me, thank you for listening, and please, fly home safely. And by the way, should you ever, b**p into me in the street, my name is:
SKYLON!
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Hour,
Hour,
Week by week,
Look into the mirror before getting on with me,
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Skylon,
Skylon,
Way up high,
Cutting at the wires as the people start to cry.
Skylon,
Skylon,
Way up high,
Skylon Skylon,
Waay, up, hiiiiiiiiiiiigh.
*I'm sorry for any errors in this, I know some parts are wrong, especially one or two places in the press conference, where I couldn't hear it too well. If you are able to, please feel free to correct any mistakes.